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User / Mukul Banerjee (www.mukulbanerjee.com)
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The Taj Mahal is located on the right bank of the Yamuna River in a vast Mughal garden that encompasses nearly 17 hectares, in the Agra District in Uttar Pradesh. It was built by Mughal Emperor Shah Jahan in memory of his wife Mumtaz Mahal with construction starting in 1632 AD and completed in 1648 AD, with the mosque, the guest house and the main gateway on the south, the outer courtyard and its cloisters were added subsequently and completed in 1653 AD. The existence of several historical and Quaranic inscriptions in Arabic script have facilitated setting the chronology of Taj Mahal. For its construction, masons, stone-cutters, inlayers, carvers, painters, calligraphers, dome builders and other artisans were requisitioned from the whole of the empire and also from the Central Asia and Iran. Ustad-Ahmad Lahori was the main architect of the Taj Mahal.
The Taj Mahal is considered to be the greatest architectural achievement in the whole range of Indo-Islamic architecture. Its recognised architectonic beauty has a rhythmic combination of solids and voids, concave and convex and light shadow; such as arches and domes further increases the aesthetic aspect. The colour combination of lush green scape reddish pathway and blue sky over it show cases the monument in ever changing tints and moods. The relief work in marble and inlay with precious and semi precious stones make it a monument apart.
The uniqueness of Taj Mahal lies in some truly remarkable innovations carried out by the horticulture planners and architects of Shah Jahan. One such genius planning is the placing of tomb at one end of the quadripartite garden rather than in the exact centre, which added rich depth and perspective to the distant view of the monument. It is also, one of the best examples of raised tomb variety. The tomb is further raised on a square platform with the four sides of the octagonal base of the minarets extended beyond the square at the corners. The top of the platform is reached through a lateral flight of steps provided in the centre of the southern side. The ground plan of the Taj Mahal is in perfect balance of composition, the octagonal tomb chamber in the centre, encompassed by the portal halls and the four corner rooms. The plan is repeated on the upper floor. The exterior of the tomb is square in plan, with chamfered corners. The large double storied domed chamber, which houses the cenotaphs of Mumtaz Mahal and Shah Jahan, is a perfect octagon in plan. The exquisite octagonal marble lattice screen encircling both cenotaphs is a piece of superb workmanship. It is highly polished and richly decorated with inlay work. The borders of the frames are inlaid with precious stones representing flowers executed with wonderful perfection. The hues and the shades of the stones used to make the leaves and the flowers appear almost real. The cenotaph of Mumtaz Mahal is in perfect centre of the tomb chamber, placed on a rectangular platform decorated with inlaid flower plant motifs. The cenotaph of Shah Jahan is greater than Mumtaz Mahal and installed more than thirty years later by the side of the latter on its west. The upper cenotaphs are only illusory and the real graves are in the lower tomb chamber (crypt), a practice adopted in the imperial Mughal tombs.
The four free-standing minarets at the corners of the platform added a hitherto unknown dimension to the Mughal architecture. The four minarets provide not only a kind of spatial reference to the monument but also give a three dimensional effect to the edifice.
The most impressive in the Taj Mahal complex next to the tomb, is the main gate which stands majestically in the centre of the southern wall of the forecourt. The gate is flanked on the north front by double arcade galleries. The garden in front of the galleries is subdivided into four quarters by two main walk-ways and each quarters in turn subdivided by the narrower cross-axial walkways, on the Timurid-Persian scheme of the walled in garden. The enclosure walls on the east and west have a pavilion at the centre.
The Taj Mahal is a perfect symmetrical planned building, with an emphasis of bilateral symmetry along a central axis on which the main features are placed. The building material used is brick-in-lime mortar veneered with red sandstone and marble and inlay work of precious/semi precious stones. The mosque and the guest house in the Taj Mahal complex are built of red sandstone in contrast to the marble tomb in the centre. Both the buildings have a large platform over the terrace at their front. Both the mosque and the guest house are the identical structures. They have an oblong massive prayer hall consist of three vaulted bays arranged in a row with central dominant portal. The frame of the portal arches and the spandrels are veneered in white marble. The spandrels are filled with flowery arabesques of stone intarsia and the arches bordered with rope molding.

Tags:   Agra Taj Mahal India 2014 Latest HDR Beautiful Mehtab Bagh I'timād-ud-Daulah Mughal Heritage Taj Mahal Medival Tomb Love Shahjahan Mumtaz Mahal Mehtab Bagh Yamuna UNESCO

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Mehtab Bagh (Hindi: मेहताब बाग़, Urdu: ماہتاب باغ‎, translation: Moonlight Garden) is a charbagh complex located in Agra, North India. It is situated north of the Taj Mahal complex and the Agra Fort on the opposite side of the Yamuna River, in the flood plains. The garden complex, square in shape, measures about 300 by 300 metres (980 ft × 980 ft) and is perfectly aligned with the Taj Mahal on the opposite bank. During the rainy season, the ground becomes partially flooded.

The Mehtab Bagh garden was the last of eleven Mughal-built gardens along the Yamuna opposite the Taj and the Agra Fort; the first being Ram Bagh. It is mentioned that this garden was built by Emperor Babur (d. 1530). It is also noted that Emperor Shah Jahan had identified a site from the crescent-shaped, grass covered floodplain across the Yamuna River as an ideal location for viewing the Taj. It was then created as "a moonlit pleasure garden called Mehtab Bagh." White plaster walkways, airy pavilions, pools and fountains were also created as part of the garden, with fruit trees and narcissus. The garden was designed as an integral part of the Taj complex in the riverfront terrace pattern. Its width was identical to that of the rest of the Taj. Legends attributed to the travelogue of the 17th century French traveler Jean Baptiste Tavernier) mention the wish of Shah Jahan to building a black marble mausoleum for himself, as a twin to the Taj; however, this could not be achieved as he was imprisoned by his son Aurangzeb. This myth had been further fueled in 1871 by a British archaeologist, A.C.L. Carlleyle, who, while discovering the remnants of an old pond at the site had mistaken it for the foundation of the fabled structure. Thus, Carlleyle became the first researcher to notice structural remains at the site, albeit blackened by moss and lichen. Mehtab Bagh was later owned by Raja Man Singh Kacchawa of Amber, who also owned the land around the Taj Mahal

Frequent floods and villagers extracting building materials nearly ruined the garden. Remaining structures within the garden were in a ruinous state. By the 1990s, the garden's existence was almost forgotten and had degraded to little more than a massive mound of sand, covered with wild vegetation and alluvial silts.

Tags:   AgraTaj BaghI'timād-ud-Daulah Agra India Mughal Latest Heritage Taj Mahal Medival Tomb Love Shahjahan Mumtaz Mahal Mehtab Bagh I'timād-ud-Daulah Yamuna UNESCO HDR

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The Taj Mahal is located on the right bank of the Yamuna River in a vast Mughal garden that encompasses nearly 17 hectares, in the Agra District in Uttar Pradesh. It was built by Mughal Emperor Shah Jahan in memory of his wife Mumtaz Mahal with construction starting in 1632 AD and completed in 1648 AD, with the mosque, the guest house and the main gateway on the south, the outer courtyard and its cloisters were added subsequently and completed in 1653 AD. The existence of several historical and Quaranic inscriptions in Arabic script have facilitated setting the chronology of Taj Mahal. For its construction, masons, stone-cutters, inlayers, carvers, painters, calligraphers, dome builders and other artisans were requisitioned from the whole of the empire and also from the Central Asia and Iran. Ustad-Ahmad Lahori was the main architect of the Taj Mahal.
The Taj Mahal is considered to be the greatest architectural achievement in the whole range of Indo-Islamic architecture. Its recognised architectonic beauty has a rhythmic combination of solids and voids, concave and convex and light shadow; such as arches and domes further increases the aesthetic aspect. The colour combination of lush green scape reddish pathway and blue sky over it show cases the monument in ever changing tints and moods. The relief work in marble and inlay with precious and semi precious stones make it a monument apart.
The uniqueness of Taj Mahal lies in some truly remarkable innovations carried out by the horticulture planners and architects of Shah Jahan. One such genius planning is the placing of tomb at one end of the quadripartite garden rather than in the exact centre, which added rich depth and perspective to the distant view of the monument. It is also, one of the best examples of raised tomb variety. The tomb is further raised on a square platform with the four sides of the octagonal base of the minarets extended beyond the square at the corners. The top of the platform is reached through a lateral flight of steps provided in the centre of the southern side. The ground plan of the Taj Mahal is in perfect balance of composition, the octagonal tomb chamber in the centre, encompassed by the portal halls and the four corner rooms. The plan is repeated on the upper floor. The exterior of the tomb is square in plan, with chamfered corners. The large double storied domed chamber, which houses the cenotaphs of Mumtaz Mahal and Shah Jahan, is a perfect octagon in plan. The exquisite octagonal marble lattice screen encircling both cenotaphs is a piece of superb workmanship. It is highly polished and richly decorated with inlay work. The borders of the frames are inlaid with precious stones representing flowers executed with wonderful perfection. The hues and the shades of the stones used to make the leaves and the flowers appear almost real. The cenotaph of Mumtaz Mahal is in perfect centre of the tomb chamber, placed on a rectangular platform decorated with inlaid flower plant motifs. The cenotaph of Shah Jahan is greater than Mumtaz Mahal and installed more than thirty years later by the side of the latter on its west. The upper cenotaphs are only illusory and the real graves are in the lower tomb chamber (crypt), a practice adopted in the imperial Mughal tombs.
The four free-standing minarets at the corners of the platform added a hitherto unknown dimension to the Mughal architecture. The four minarets provide not only a kind of spatial reference to the monument but also give a three dimensional effect to the edifice.
The most impressive in the Taj Mahal complex next to the tomb, is the main gate which stands majestically in the centre of the southern wall of the forecourt. The gate is flanked on the north front by double arcade galleries. The garden in front of the galleries is subdivided into four quarters by two main walk-ways and each quarters in turn subdivided by the narrower cross-axial walkways, on the Timurid-Persian scheme of the walled in garden. The enclosure walls on the east and west have a pavilion at the centre.
The Taj Mahal is a perfect symmetrical planned building, with an emphasis of bilateral symmetry along a central axis on which the main features are placed. The building material used is brick-in-lime mortar veneered with red sandstone and marble and inlay work of precious/semi precious stones. The mosque and the guest house in the Taj Mahal complex are built of red sandstone in contrast to the marble tomb in the centre. Both the buildings have a large platform over the terrace at their front. Both the mosque and the guest house are the identical structures. They have an oblong massive prayer hall consist of three vaulted bays arranged in a row with central dominant portal. The frame of the portal arches and the spandrels are veneered in white marble. The spandrels are filled with flowery arabesques of stone intarsia and the arches bordered with rope molding.

Tags:   Agra Taj Mahal India 2014 Latest HDR Beautiful Mehtab Bagh I'timād-ud-Daulah Mughal Heritage Taj Mahal Medival Tomb Love Shahjahan Mumtaz Mahal Mehtab Bagh Yamuna UNESCO archeologicalsurveyofindia architecture archeology art artist asi asia beauty clear day

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Considered as one of the unique beaches located in Havelock Island, Elephant Beach is untouched by commercialism and boasts of an environment that exudes a peaceful ambience. Popular for snorkelling, Elephant Beach boasts of some of the vibrant coral reefs on the island and is easily accessible from Radhanagar Beach.

Situated at one remote corner of Havelock Island, one has to either take a boat or follow a steep but a short trek to reach Elephant Beach that is renowned not only for its pristine beauty but also for its serene environs. Enjoy the sapphire coloured waters, the gentle waves, bare trees and the vast horizon along with the sense of being one with the nature on this spectacular beach of Havelock Island.

Tags:   Andaman Andamans Islands Andaman and Nicobar Islands I.N.D.I.A. Beach Beaches Sand Beautiful Elephant Cove December 2013 Colors Color Colour Colours Sea Sunrise Golden BlueSky Cloud Cloudscape Havelock Island Travel Travel Photography Andaman & Nicobar Islands Paradise Explore

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Tags:   Diwali Diwali 2013 2013 Deepawali Lights Light Painting I.N.D.I.A. Decoration Light Diya Dewp Enjoyment Joy Joyous Festival Festival of Light Nikon D300 35mm Nikon 24-70mm f/2.8 Greetings People November Crackers Fireworks


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