Canaletto (Giovanni Antonio Canal), Venedig 1697 - 1768
Bacino von San Marco vom Giudecca-Kanal / Bacino di San Marco from the Canale della Giudecca / Bacino di San Marco dal canale della Giudecca (ca. 1740)
The Wallace Collection, London
Tags: Canaletto Giovanni Antonio Canal Bacino di San Marco from the Canale della Giudecca Bacino di San Marco dal canale della Giudecca The Wallace Collection London Bacino von San Marco vom Giudecca-Kanal
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Giovanni Antonio Canal, genannt Canaletto (Venedig 1697 - 1768)
Blick von der Mole nach Westen / The Molo looking west / Il molo verso ovest con la libreria e la colonna di San Teodoro (ca. 1730)
Privatsammlung
Mit seinen von hellem Licht erfüllten Veduten prägte Canaletto das Bild von Topographie und Atmosphäre seiner Heimatstadt Venedig im 18. Jahrhundert.
Tags: Canaletto Giovanni Antonio Canal Venedig Venice Venezia Blick von der Mole nach Westen The Molo looking west Il molo verso ovest con la libreria e colonna di San Teodoro
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Giovanni Antonio Canal, genannt Canaletto (Venedig 1697 - 1768)
Campo di Rialto (1758 - 63)
Gemäldegalerie Berlin
Mit seinen von hellem Licht erfüllten Veduten prägte Canaletto das Bild von Topographie und Atmosphäre seiner Heimatstadt Venedig im 18. Jahrhundert.
Tags: Canaletto Giovanni Antonio Canal Campo di Rialto Venedig Venice Venezia Gemäldegalerie Berlin Deutschland Germany
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Giovanni Antonio Canal, genannt Canaletto (Venedig 1697 - 1768)
Canal Grande Blick vom Campo San Vio nach Osten - Grand Canal looking east from Campo San Vio (1723 - 24)
Museum Thyssen-Bornemisza, Madrid
Canaletto was the leading painter of city views, or vedute, in eighteenth-century Venice. The subject of The Grand Canal from San Vio, Venice was depicted by the artist on a number of occasions. In the present case the view, looking towards San Marco, opens in the right foreground with the palazzo Barbarigo where we see a woman leaning out of one of the windows and a man cleaning one of the chimneys. The wall of the façade that gives onto the campo, in which the artist included a number of figures, is decorated with a drawing of a boat and an inscription. The line of buildings on the right bank of the canal leads the eye to the dome of the Salute and the Punta di Dogana. On the other side Canaletto depicts the palazzo Corner della Ca’Grande and ends at the Riva degli Schiavoni. Both the brushstroke and the treatment of light are similar in these two canvases, although The Grand Canal from San Vio, Venice perhaps reveals more interest in creating effects of chiaroscuro, which is particularly notable in the boats in the right foreground that help to lead the eye into the composition. Canaletto achieved fine effects of colour and its nuances, successfully conveying the tones of the water, whose greenish tint contrasts with the large area of blue sky.
Extract from
www.museothyssen.org/en/collection/artists/canaletto/piaz...
Tags: Museum Thyssen-Bornemisza Madrid Spanien Espagna Spain Venezia Venice Canal Grande Campo San Vio
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Giovanni Antonio Canal, genannt Canaletto (Venedig 1697 - 1768)
Canal Grande vom Palazzo Balbi nach Nordosten zur Rialto Brücke / Canal Grande looking northeast from Palazzo Balbi to the Rialto Bridge / Il Canal Grande da Palazzo Balbi verso Rialto (1720/23
Ca' Rezzonico, Venedig
Mit seinen von hellem Licht erfüllten Veduten prägte Canaletto das Bild von Topographie und Atmosphäre seiner Heimatstadt Venedig im 18. Jahrhundert.
Tags: Canaletto Giovanni Antonio Canal Venedig Venice Venezia Canal Grande vom Palazzo Balbi nach Nordosten zur Rialto Brücke Canal Grande looking northeast from Palazzo Balbi to the Rialto Bridge Ca' Rezzonico Il Canal Grande da Palazzo Balbi verso Rialto
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