One of my very first darkroom prints, from 2015. Holga WPC, 6x12cm negative, diluted blue toner.
Tags: MarkGuitarPhoto Mark Dries Pinhole Pinhole camera holga WPC dark room print printmaking print blue toning kennemer duinen 't wed analog analogue film photography panorama wide angle no lens lensless space 6x12
Darkroom print using Moersch Easy Lith 20+20+960 on expired AGFA Portriga Rapid.
Negative is 4x5", most likely Fomapan 100 developed in R09, shot by The Robert Rigby Pinhole camera.
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4x5" pinhole on Washi paper negative (Film Washi 25 iso, metered at 3 iso, tray developed in R09 1:50 for 4:00 minutes)
Darkroom print on expired Ilford RC paper, toned in Amaloco T50 and sepia.
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Contact print of 6x12cm negative by Holga WPC pinhole camera.
Fomatone 100 negative developed in D76 1+1 for 10 minutes and printed with WA Developer on Adox MCP. Slight selenium and sepia toning.
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Contact print of 4x5 Fomapan 100 iso negative, shot by The Robert Rigby Pinhole Camera. Toned with Amaloco Extra Max and Foma sepia (bleach 1+9 for 20 sec, toner B 1+19 for 3 minutes).
p.s. the dark dots in the middle seem to be imperfections in the emulsion. Some batches of Foma film have this problem, others don't.
Tags: MarkGuitarPhoto Mark Dries Pinhole Pinhole camera the Robert Rigby pinhole camera 4x5 large format dunes dunescape kennemer duinen contact print toned selenium sepia film film photography dark room print dark room oldskool old soul transition connection