Make: | NIKON CORPORATION |
Model: | NIKON Z 6 |
Exposure: | 0.3 |
Aperture: | f/29.0 |
ISO Speed: | 640 |
Focal Length: | 105 mm |
Lens: |
Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED |
JFIFVersion: | 1.02 |
Resolution Unit: | inches |
X-Resolution: | 300 dpi |
Y-Resolution: | 300 dpi |
Image Description: |
This seven-image set is based on the same setup that I used for Macro Mondays a couple of weeks ago (see https://flic.kr/p/2ptWG9u) although with a different capture and, mercifully, the right way up.. . The marbles were in a wineglass and black foamboard was used as backdrop. The setup was lit from overhead using an LED penlight in a darkened room. It was a long exposure using a tripod and remote trigger - this enabled me to move the torch a little to build the light in the exposure... . I lost my marbles decades ago but, quite astonishingly, some of them turned up in the wine cupboard a while back. Strange…. . The marbles, like me, are from the last century and it shows in their battered surfaces. But they’re made for playing with, aren’t they?. . The edits are:. 1 - Topaz Studio 2. This monochrome rendition uses Smudge and Glow effects to emphasise the lines and shapes and reduce the surface texture.. 2 - Topaz Studio 2. This uses a Remix effect that is often interesting and can look very like stained glass.. 3 - Topaz Studio 2. This is probably my favourite of the realistic incarnations. I particularly like the way the glass stem has turned out. It uses Smudge, Glow and Bloom filters. Confusingly Bloom is more of a glow and Glow (along with Radiance) is a linear extension filter. Sigh… [I’ll post this on Sliders Sunday]. 4 - Topaz Studio 2. This is a straight colour swap with a bit of surface smoothing. Playing with colours is endless (if confusing) fun…. 5 - Nik Analog Efex. This is a double exposure effect based around two copies of the image manipulated by the filter (rotated, resized and given a circular blur effect). It reminds me of nascent star clusters in the distant universe. This one was one of the most curiously interesting to my marbleless mind…. 6 - Nik Color Efex. A fairly well-trodden path for me with this one: one of the many possible solarisation variations along with a bicolour filter and a vignette.. 7 - Nik HDR Efex. I don’t often have much successful fun with this filter but this one worked out OK giving a very realistic effect. I particularly like the blue glass which was a side effect of changing the colour temperature. HDR normally zaps texture but I tried to limit that in the filter options.. . I’ll post a link to the in-camera version in the first comment so that you can see where we started before the basic development and processing and the tidying-up work on all that dust.. . Thanks for taking the time to look. I hope you enjoy the image. Happy Sliders Sunday :). |
Make: | NIKON CORPORATION |
Model: | NIKON Z 6 |
Orientation: | Horizontal (normal) |
Resolution Unit: | inches |
Software: | Capture One 23 Windows |
Date and Time (Modified): | 2024:02:04 18:23:05 |
Artist: | Peter Whitfield |
YCbCr Positioning: | Centered |
Copyright: | Peter Whitfield |
Exposure: | 0.3 |
Aperture: | f/29.0 |
Exposure Program: | Aperture-priority AE |
ISO Speed: | 640 |
Sensitivity Type: | Recommended Exposure Index |
Recommended Exposure Index: | 640 |
Exif Version: | 0230 |
Date and Time (Original): | 2024:01:21 17:31:22 |
Date and Time (Digitized): | 2024:01:27 18:20:25 |
Offset Time: | +00:00 |
Offset Time Original: | +00:00 |
Offset Time Digitized: | +00:00 |
Components Configuration: | Y, Cb, Cr, - |
Exposure Bias: | 0 EV |
Subject Distance: | 0.538461538461538 m |
Metering Mode: | Multi-segment |
Light Source: | Unknown |
Flash: | No Flash |
Focal Length: | 105 mm |
User Comment: |
This seven-image set is based on the same setup that I used for Macro Mondays a couple of weeks ago (see https://flic.kr/p/2ptWG9u) although with a different capture and, mercifully, the right way up.. . The marbles were in a wineglass and black foamboard was used as backdrop. The setup was lit from overhead using an LED penlight in a darkened room. It was a long exposure using a tripod and remote trigger - this enabled me to move the torch a little to build the light in the exposure... . I lost my marbles decades ago but, quite astonishingly, some of them turned up in the wine cupboard a while back. Strange…. . The marbles, like me, are from the last century and it shows in their battered surfaces. But they’re made for playing with, aren’t they?. . The edits are:. 1 - Topaz Studio 2. This monochrome rendition uses Smudge and Glow effects to emphasise the lines and shapes and reduce the surface texture.. 2 - Topaz Studio 2. This uses a Remix effect that is often interesting and can look very like stained glass.. 3 - Topaz Studio 2. This is probably my favourite of the realistic incarnations. I particularly like the way the glass stem has turned out. It uses Smudge, Glow and Bloom filters. Confusingly Bloom is more of a glow and Glow (along with Radiance) is a linear extension filter. Sigh… [I’ll post this on Sliders Sunday]. 4 - Topaz Studio 2. This is a straight colour swap with a bit of surface smoothing. Playing with colours is endless (if confusing) fun…. 5 - Nik Analog Efex. This is a double exposure effect based around two copies of the image manipulated by the filter (rotated, resized and given a circular blur effect). It reminds me of nascent star clusters in the distant universe. This one was one of the most curiously interesting to my marbleless mind…. 6 - Nik Color Efex. A fairly well-trodden path for me with this one: one of the many possible solarisation variations along with a bicolour filter and a vignette.. 7 - Nik HDR Efex. I don’t often have much successful fun with this filter but this one worked out OK giving a very realistic effect. I particularly like the blue glass which was a side effect of changing the colour temperature. HDR normally zaps texture but I tried to limit that in the filter options.. . I’ll post a link to the in-camera version in the first comment so that you can see where we started before the basic development and processing and the tidying-up work on all that dust.. . Thanks for taking the time to look. I hope you enjoy the image. Happy Sliders Sunday :). |
Flashpix Version: | 0100 |
Color Space: | sRGB |
Sensing Method: | One-chip color area |
File Source: | Digital Camera |
Scene Type: | Directly photographed |
Exposure Mode: | Auto |
White Balance: | Auto |
Focal Length (35mm format): | 105 mm |
Scene Capture Type: | Standard |
Gain Control: | None |
Contrast: | Normal |
Saturation: | Normal |
Sharpness: | Hard |
Subject Distance Range: | Unknown |
Lens Info: | 105mm f/2.8 |
Lens Model: |
Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED |
GPS Version ID: | 2.3.0.0 |
Envelope Record Version: | 4 |
Coded Character Set: | UTF8 |
Application Record Version: | 4 |
Object Name: | Playing with Marbles Set V |
Keywords: |
AUTO-TAGGER bubble desktop h2o insubstantial "no person" "round out" shining Abstract Blur Design Texture art bright color creativity decoration illustration image shape sphere "Nik Analog Efex" "Multiple Exposure" |
Date Created: | 2024:01:21 |
Time Created: | 17:31:22+00:00 |
Digital Creation Date: | 2024:01:27 |
Digital Creation Time: | 18:20:25+00:00 |
By-line: | Peter Whitfield |
Original Transmission Reference: | Z6A_6781 1ap2 v5AEfex.jpg |
Credit: | Peter Whitfield |
Copyright Notice: | Peter Whitfield |
Caption- Abstract: |
This seven-image set is based on the same setup that I used for Macro Mondays a couple of weeks ago (see https://flic.kr/p/2ptWG9u) although with a different capture and, mercifully, the right way up.. . The marbles were in a wineglass and black foamboard was used as backdrop. The setup was lit from overhead using an LED penlight in a darkened room. It was a long exposure using a tripod and remote trigger - this enabled me to move the torch a little to build the light in the exposure... . I lost my marbles decades ago but, quite astonishingly, some of them turned up in the wine cupboard a while back. Strange…. . The marbles, like me, are from the last century and it shows in their battered surfaces. But they’re made for playing with, aren’t they?. . The edits are:. 1 - Topaz Studio 2. This monochrome rendition uses Smudge and Glow effects to emphasise the lines and shapes and reduce the surface texture.. 2 - Topaz Studio 2. This uses a Remix effect that is often interesting and can look very like stained glass.. 3 - Topaz Studio 2. This is probably my favourite of the realistic incarnations. I particularly like the way the glass stem has turned out. It uses Smudge, Glow and Bloom filters. Confusingly Bloom is more of a glow and Glow (along with Radiance) is a linear extension filter. Sigh… [I’ll post this on Sliders Sunday]. 4 - Topaz Studio 2. This is a straight colour swap with a bit of surface smoothing. Playing with colours is endless (if confusing) fun…. 5 - Nik Analog Efex. This is a double exposure effect based around two copies of the image manipulated by the filter (rotated, resized and given a circular blur effect). It reminds me of nascent star clusters in the distant universe. This one was one of the most curiously interesting to my marbleless mind…. 6 - Nik Color Efex. A fairly well-trodden path for me with this one: one of the many possible solarisation variations along with a bicolour filter and a vignette.. 7 - Nik HDR Efex. I don’t o |
Writer- Editor: | Peter Whitfield |
IPTCDigest: | abd7337e306412badd79edb930f9d297 |
XMPToolkit: | Image::ExifTool 12.69 |
Lens: |
Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED |
Creator: | Peter Whitfield |
Description: |
This seven-image set is based on the same setup that I used for Macro Mondays a couple of weeks ago (see https://flic.kr/p/2ptWG9u) although with a different capture and, mercifully, the right way up.. . The marbles were in a wineglass and black foamboard was used as backdrop. The setup was lit from overhead using an LED penlight in a darkened room. It was a long exposure using a tripod and remote trigger - this enabled me to move the torch a little to build the light in the exposure... . I lost my marbles decades ago but, quite astonishingly, some of them turned up in the wine cupboard a while back. Strange…. . The marbles, like me, are from the last century and it shows in their battered surfaces. But they’re made for playing with, aren’t they?. . The edits are:. 1 - Topaz Studio 2. This monochrome rendition uses Smudge and Glow effects to emphasise the lines and shapes and reduce the surface texture.. 2 - Topaz Studio 2. This uses a Remix effect that is often interesting and can look very like stained glass.. 3 - Topaz Studio 2. This is probably my favourite of the realistic incarnations. I particularly like the way the glass stem has turned out. It uses Smudge, Glow and Bloom filters. Confusingly Bloom is more of a glow and Glow (along with Radiance) is a linear extension filter. Sigh… [I’ll post this on Sliders Sunday]. 4 - Topaz Studio 2. This is a straight colour swap with a bit of surface smoothing. Playing with colours is endless (if confusing) fun…. 5 - Nik Analog Efex. This is a double exposure effect based around two copies of the image manipulated by the filter (rotated, resized and given a circular blur effect). It reminds me of nascent star clusters in the distant universe. This one was one of the most curiously interesting to my marbleless mind…. 6 - Nik Color Efex. A fairly well-trodden path for me with this one: one of the many possible solarisation variations along with a bicolour filter and a vignette.. 7 - Nik HDR Efex. I don’t often have much successful fun with this filter but this one worked out OK giving a very realistic effect. I particularly like the blue glass which was a side effect of changing the colour temperature. HDR normally zaps texture but I tried to limit that in the filter options.. . I’ll post a link to the in-camera version in the first comment so that you can see where we started before the basic development and processing and the tidying-up work on all that dust.. . Thanks for taking the time to look. I hope you enjoy the image. Happy Sliders Sunday :). |
Rights: | Peter Whitfield |
Subject: | AUTO-TAGGER |
Title: | Playing with Marbles Set V |
Serial Number: | 6013969 |
Lens Model: |
Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED |
Lens Info: | 105mm f/2.7999999153933 |
Recommended Exposure Index: | 640 |
Sensitivity Type: | Recommended Exposure Index |
Hierarchical Subject: | AUTO-TAGGER|shining |
Time Created: | 17:31:22+00:00 |
Caption Writer: | Peter Whitfield |
Color Mode: | RGB |
Credit: | Peter Whitfield |
ICCProfile Name: | sRGB IEC61966-2.1 |
Legacy IPTCDigest: | EFF95CDE8EF66AA461BA138A56378D47 |
Transmission Reference: | Z6A_6781 1ap2 v5AEfex.jpg |
Artist: | Peter Whitfield |
Copyright: | Peter Whitfield |
Image Description: |
This seven-image set is based on the same setup that I used for Macro Mondays a couple of weeks ago (see https://flic.kr/p/2ptWG9u) although with a different capture and, mercifully, the right way up.. . The marbles were in a wineglass and black foamboard was used as backdrop. The setup was lit from overhead using an LED penlight in a darkened room. It was a long exposure using a tripod and remote trigger - this enabled me to move the torch a little to build the light in the exposure... . I lost my marbles decades ago but, quite astonishingly, some of them turned up in the wine cupboard a while back. Strange…. . The marbles, like me, are from the last century and it shows in their battered surfaces. But they’re made for playing with, aren’t they?. . The edits are:. 1 - Topaz Studio 2. This monochrome rendition uses Smudge and Glow effects to emphasise the lines and shapes and reduce the surface texture.. 2 - Topaz Studio 2. This uses a Remix effect that is often interesting and can look very like stained glass.. 3 - Topaz Studio 2. This is probably my favourite of the realistic incarnations. I particularly like the way the glass stem has turned out. It uses Smudge, Glow and Bloom filters. Confusingly Bloom is more of a glow and Glow (along with Radiance) is a linear extension filter. Sigh… [I’ll post this on Sliders Sunday]. 4 - Topaz Studio 2. This is a straight colour swap with a bit of surface smoothing. Playing with colours is endless (if confusing) fun…. 5 - Nik Analog Efex. This is a double exposure effect based around two copies of the image manipulated by the filter (rotated, resized and given a circular blur effect). It reminds me of nascent star clusters in the distant universe. This one was one of the most curiously interesting to my marbleless mind…. 6 - Nik Color Efex. A fairly well-trodden path for me with this one: one of the many possible solarisation variations along with a bicolour filter and a vignette.. 7 - Nik HDR Efex. I don’t often have much successful fun with this filter but this one worked out OK giving a very realistic effect. I particularly like the blue glass which was a side effect of changing the colour temperature. HDR normally zaps texture but I tried to limit that in the filter options.. . I’ll post a link to the in-camera version in the first comment so that you can see where we started before the basic development and processing and the tidying-up work on all that dust.. . Thanks for taking the time to look. I hope you enjoy the image. Happy Sliders Sunday :). |
Make: | NIKON CORPORATION |
Model: | NIKON Z 6 |
Orientation: | Horizontal (normal) |
Resolution Unit: | inches |
Software: | Capture One 23 Windows |
Creator Tool: | Capture One 23 Windows |
Metadata Date: | 2024:02:04 18:23:05+00:00 |
Document ID: |
xmp.did:69d344d8-8b0c-47ed-8c5d-0258f9df 096b |
Instance ID: |
xmp.iid:e64c97ec-587d-431f-aee3-9602b02b b72a |
Original Document ID: |
xmp.did:69d344d8-8b0c-47ed-8c5d-0258f9df 096b |
Usage Terms: | © Peter Whitfield. All rights reserved. |