Goldfinch - Carduelis Carduelis

On closer inspection male goldfinches can often be distinguished by a larger, darker red mask that extends just behind the eye. The shoulder feathers are black whereas they are brown on the hen.In females, the red face does not extend past the eye. The ivory-coloured bill is long and pointed, and the tail is forked. Goldfinches in breeding condition have a white bill, with a greyish or blackish mark at the tip for the rest of the year. Juveniles have a plain head and a greyer back but are unmistakable due to the yellow wing stripe. Birds in central Asia (caniceps group) have a plain grey head behind the red face, lacking the black and white head pattern of European and western Asian birds. Adults moult after the breeding season with some individuals beginning in July and others not completing their moult until November. After moult birds appear less colourful, until the tips of the newly grown feathers wear away.


The goldfinch is native to Europe, North Africa, and western and central Asia. It is found in open, partially wooded lowlands and is a resident in the milder west of its range, but migrates from colder regions. It will also make local movements, even in the west, to escape bad weather. It has been introduced to many areas of the world. It was introduced to Canada, United States, Mexico, Peru, Argentina, Chile, the Falkland Islands, Uruguay, Brazil, South Africa, Australia, and New Zealand, in the 19th century, and their populations quickly increased and their range expanded greatly. They now occur from Brisbane to the Eyre Peninsula in Australia, and throughout New Zealand.


Because of the thistle seeds it eats, in Christian symbolism the goldfinch is associated with Christ's Passion and his crown of thorns. The goldfinch, appearing in pictures of the Madonna and Christ child, represents the foreknowledge Jesus and Mary had of the Crucifixion. Examples include the Madonna del cardellino or Madonna of the Goldfinch, painted by the Italian renaissance artist Raphael in about 1505–6, in which John the Baptist offers the goldfinch to Christ in warning of his future. In Barocci's Holy Family a goldfinch is held in the hand of John the Baptist who holds it high out of reach of an interested cat. In Cima da Conegliano's Madonna and Child, a goldfinch flutters in the hand of the Christ child. It is also an emblem of endurance, fruitfulness, and persistence. Because it symbolizes the Passion, the goldfinch is considered a "saviour" bird and may be pictured with the common fly (which represents sin and disease).

The goldfinch is also associated with Saint Jerome and appears in some depictions of him.

Tags:   Goldfinch Avian Animal Animals Birds. Bird Bird Photography Countryside Copse Farmland Forest Forestry Forests Fields Finch Finches Flocks Garden Birds Glades Grasslands Gorse Heathland Hedgerows Heathlands Heaths Meadows Song Birds Nature Nature Photography Nikon Wildlife. Wildbirds Wetlands Wildlife Photography Woodlands

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Goldfinch - Carduelis Carduelis

On closer inspection male goldfinches can often be distinguished by a larger, darker red mask that extends just behind the eye. The shoulder feathers are black whereas they are brown on the hen.In females, the red face does not extend past the eye. The ivory-coloured bill is long and pointed, and the tail is forked. Goldfinches in breeding condition have a white bill, with a greyish or blackish mark at the tip for the rest of the year. Juveniles have a plain head and a greyer back but are unmistakable due to the yellow wing stripe. Birds in central Asia (caniceps group) have a plain grey head behind the red face, lacking the black and white head pattern of European and western Asian birds. Adults moult after the breeding season with some individuals beginning in July and others not completing their moult until November. After moult birds appear less colourful, until the tips of the newly grown feathers wear away.


The goldfinch is native to Europe, North Africa, and western and central Asia. It is found in open, partially wooded lowlands and is a resident in the milder west of its range, but migrates from colder regions. It will also make local movements, even in the west, to escape bad weather. It has been introduced to many areas of the world. It was introduced to Canada, United States, Mexico, Peru, Argentina, Chile, the Falkland Islands, Uruguay, Brazil, South Africa, Australia, and New Zealand, in the 19th century, and their populations quickly increased and their range expanded greatly. They now occur from Brisbane to the Eyre Peninsula in Australia, and throughout New Zealand.


Because of the thistle seeds it eats, in Christian symbolism the goldfinch is associated with Christ's Passion and his crown of thorns. The goldfinch, appearing in pictures of the Madonna and Christ child, represents the foreknowledge Jesus and Mary had of the Crucifixion. Examples include the Madonna del cardellino or Madonna of the Goldfinch, painted by the Italian renaissance artist Raphael in about 1505–6, in which John the Baptist offers the goldfinch to Christ in warning of his future. In Barocci's Holy Family a goldfinch is held in the hand of John the Baptist who holds it high out of reach of an interested cat. In Cima da Conegliano's Madonna and Child, a goldfinch flutters in the hand of the Christ child. It is also an emblem of endurance, fruitfulness, and persistence. Because it symbolizes the Passion, the goldfinch is considered a "saviour" bird and may be pictured with the common fly (which represents sin and disease).

The goldfinch is also associated with Saint Jerome and appears in some depictions of him.

Tags:   Goldfinch Farmland Forestry Forests Finches Finch Avian Animal Animals Birds. Bird Bird Photography Flocks Garden Birds Glades Grasslands Heathland Hedgerows Heathlands Heaths Meadows Marshland Nature Nature Photography Nikon Ornithology Jeff Lack Photography Wildlife. Wildbirds Wetlands Wildlife Photography Woodlands Woodland Parklands Trees

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Goldfinch - Carduelis Carduelis
Juvenile

On closer inspection male goldfinches can often be distinguished by a larger, darker red mask that extends just behind the eye. The shoulder feathers are black whereas they are brown on the hen.In females, the red face does not extend past the eye. The ivory-coloured bill is long and pointed, and the tail is forked. Goldfinches in breeding condition have a white bill, with a greyish or blackish mark at the tip for the rest of the year. Juveniles have a plain head and a greyer back but are unmistakable due to the yellow wing stripe. Birds in central Asia (caniceps group) have a plain grey head behind the red face, lacking the black and white head pattern of European and western Asian birds. Adults moult after the breeding season with some individuals beginning in July and others not completing their moult until November. After moult birds appear less colourful, until the tips of the newly grown feathers wear away.


The goldfinch is native to Europe, North Africa, and western and central Asia. It is found in open, partially wooded lowlands and is a resident in the milder west of its range, but migrates from colder regions. It will also make local movements, even in the west, to escape bad weather. It has been introduced to many areas of the world. It was introduced to Canada, United States, Mexico, Peru, Argentina, Chile, the Falkland Islands, Uruguay, Brazil, South Africa, Australia, and New Zealand, in the 19th century, and their populations quickly increased and their range expanded greatly. They now occur from Brisbane to the Eyre Peninsula in Australia, and throughout New Zealand.


Because of the thistle seeds it eats, in Christian symbolism the goldfinch is associated with Christ's Passion and his crown of thorns. The goldfinch, appearing in pictures of the Madonna and Christ child, represents the foreknowledge Jesus and Mary had of the Crucifixion. Examples include the Madonna del cardellino or Madonna of the Goldfinch, painted by the Italian renaissance artist Raphael in about 1505–6, in which John the Baptist offers the goldfinch to Christ in warning of his future. In Barocci's Holy Family a goldfinch is held in the hand of John the Baptist who holds it high out of reach of an interested cat. In Cima da Conegliano's Madonna and Child, a goldfinch flutters in the hand of the Christ child. It is also an emblem of endurance, fruitfulness, and persistence. Because it symbolizes the Passion, the goldfinch is considered a "saviour" bird and may be pictured with the common fly (which represents sin and disease).

The goldfinch is also associated with Saint Jerome and appears in some depictions of him.

Tags:   Goldfinch Garden Birds Glades Grasslands Farmland Forest Forestry Forests Fields Finch Finches Song Birds Flocks Avian Animal Animals Birds. Bird Bird Photography Countryside Heathland Hedgerows Heathlands Heaths Meadows Nature Nature Photography Nikon Jeff Lack Photography Ornithology Wildlife. Wildbirds Wetlands Wildlife Photography Woodlands Woodland

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Goldfinch - Carduelis Carduelis

On closer inspection male goldfinches can often be distinguished by a larger, darker red mask that extends just behind the eye. The shoulder feathers are black whereas they are brown on the hen.In females, the red face does not extend past the eye. The ivory-coloured bill is long and pointed, and the tail is forked. Goldfinches in breeding condition have a white bill, with a greyish or blackish mark at the tip for the rest of the year. Juveniles have a plain head and a greyer back but are unmistakable due to the yellow wing stripe. Birds in central Asia (caniceps group) have a plain grey head behind the red face, lacking the black and white head pattern of European and western Asian birds. Adults moult after the breeding season with some individuals beginning in July and others not completing their moult until November. After moult birds appear less colourful, until the tips of the newly grown feathers wear away.


The goldfinch is native to Europe, North Africa, and western and central Asia. It is found in open, partially wooded lowlands and is a resident in the milder west of its range, but migrates from colder regions. It will also make local movements, even in the west, to escape bad weather. It has been introduced to many areas of the world. It was introduced to Canada, United States, Mexico, Peru, Argentina, Chile, the Falkland Islands, Uruguay, Brazil, South Africa, Australia, and New Zealand, in the 19th century, and their populations quickly increased and their range expanded greatly. They now occur from Brisbane to the Eyre Peninsula in Australia, and throughout New Zealand.


Because of the thistle seeds it eats, in Christian symbolism the goldfinch is associated with Christ's Passion and his crown of thorns. The goldfinch, appearing in pictures of the Madonna and Christ child, represents the foreknowledge Jesus and Mary had of the Crucifixion. Examples include the Madonna del cardellino or Madonna of the Goldfinch, painted by the Italian renaissance artist Raphael in about 1505–6, in which John the Baptist offers the goldfinch to Christ in warning of his future. In Barocci's Holy Family a goldfinch is held in the hand of John the Baptist who holds it high out of reach of an interested cat. In Cima da Conegliano's Madonna and Child, a goldfinch flutters in the hand of the Christ child. It is also an emblem of endurance, fruitfulness, and persistence. Because it symbolizes the Passion, the goldfinch is considered a "saviour" bird and may be pictured with the common fly (which represents sin and disease).

The goldfinch is also associated with Saint Jerome and appears in some depictions of him.

Tags:   Goldfinch Farmland Fields Finch Finches Forestry Forest Avian Animal Animals Birds. Bird Bird Photography Countryside Copse Forests Farms Garden Birds Glades Grasslands Gorse Heathland Hedgerows Heathlands Heaths Wildlife. Wildbirds Wetlands Wildlife Photography Woodlands Nature Nature Photography Nikon Ornithology Jeff Lack Photography Song Birds Flocks

© All Rights Reserved

Goldfinch - Carduelis Carduelis

On closer inspection male goldfinches can often be distinguished by a larger, darker red mask that extends just behind the eye. The shoulder feathers are black whereas they are brown on the hen.In females, the red face does not extend past the eye. The ivory-coloured bill is long and pointed, and the tail is forked. Goldfinches in breeding condition have a white bill, with a greyish or blackish mark at the tip for the rest of the year. Juveniles have a plain head and a greyer back but are unmistakable due to the yellow wing stripe. Birds in central Asia (caniceps group) have a plain grey head behind the red face, lacking the black and white head pattern of European and western Asian birds. Adults moult after the breeding season with some individuals beginning in July and others not completing their moult until November. After moult birds appear less colourful, until the tips of the newly grown feathers wear away.


The goldfinch is native to Europe, North Africa, and western and central Asia. It is found in open, partially wooded lowlands and is a resident in the milder west of its range, but migrates from colder regions. It will also make local movements, even in the west, to escape bad weather. It has been introduced to many areas of the world. It was introduced to Canada, United States, Mexico, Peru, Argentina, Chile, the Falkland Islands, Uruguay, Brazil, South Africa, Australia, and New Zealand, in the 19th century, and their populations quickly increased and their range expanded greatly. They now occur from Brisbane to the Eyre Peninsula in Australia, and throughout New Zealand.


Because of the thistle seeds it eats, in Christian symbolism the goldfinch is associated with Christ's Passion and his crown of thorns. The goldfinch, appearing in pictures of the Madonna and Christ child, represents the foreknowledge Jesus and Mary had of the Crucifixion. Examples include the Madonna del cardellino or Madonna of the Goldfinch, painted by the Italian renaissance artist Raphael in about 1505–6, in which John the Baptist offers the goldfinch to Christ in warning of his future. In Barocci's Holy Family a goldfinch is held in the hand of John the Baptist who holds it high out of reach of an interested cat. In Cima da Conegliano's Madonna and Child, a goldfinch flutters in the hand of the Christ child. It is also an emblem of endurance, fruitfulness, and persistence. Because it symbolizes the Passion, the goldfinch is considered a "saviour" bird and may be pictured with the common fly (which represents sin and disease).

The goldfinch is also associated with Saint Jerome and appears in some depictions of him.

Tags:   Goldfinch Farmland Forest Forestry Fields Finch Finches Avian Animal Animals Birds. Bird Bird Photography Countryside Copse Forests Garden Birds Glades Grasslands Gorse Song Birds Trees Wildlife. Wildbirds Wetlands Woodlands Woodland Wildlife Photography Flocks Nature Nature Photography Nikon Ornithology Jeff Lack Photography

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